Camus Albert read Greek ideas recently

1913 NYC well dressed diverse group of workers Julius Marx 23 working in vaudville entertaining these people.The 18th-century economist Adam Smith noted the imbalance in the rights of workers in regards to owners (or "masters"). In The Wealth of Nations, Book I, chapter 8, Smith wrote:

We rarely hear, it has been said, of the combination of masters, though frequently of those of workmen. But whoever imagines, upon this account, that masters rarely combine, is as ignorant of the world as of the subject. Masters are always and everywhere in a sort of tacit, but constant and uniform combination, not to raise the wages of labor above their actual rate[.] When workers combine, masters ... never cease to call aloud for the assistance of the civil magistrate, and the rigorous execution of those laws which have been enacted with so much severity against the combination of servants, labourers and journeymen.

As Smith noted, unions were illegal for many years in most countries, although Smith argued that it should remain illegal to fix wages or prices by employees or employers. There were severe penalties for attempting to organize unions, up to and including execution. Despite this, unions were formed and began to acquire political power, eventually resulting in a body of labour law that not only legalized organizing efforts, but codified the relationship between employers and those employees organized into unionEarly life
Weil was born in her parents' apartment in Paris on 3 February 1909, the daughter of Bernard Weil (1872–1955), a medical doctor from an agnostic Alsatian Jewish background, who moved to Paris after the German annexation of Alsace-Lorraine. Her mother, Salomea "Selma" Reinherz (1879–1965), was born into a Jewish family in Rostov-on-Don and raised in Belgium. According to Osmo Pekonen, "the family name Weil came to be when many Levis in the Napoleonic era changed their names this way, by anagram." Weil was a healthy baby for her first six months, but then suffered a severe attack of appendicitis; thereafter, she struggled with poor health throughout her life. She was the younger of her parents' two children: her brother was mathematician André Weil (1906–1998), with whom she would always enjoy a close relationship. Their parents were fairly affluent and raised their children in an attentive and supportive atmosphere.
Weil was distressed by her father having to leave home for several years after being drafted to serve in the First World War. Eva Fogelman, Robert Coles, and several other scholars believe that this experience may have contributed to the exceptionally strong altruism which Weil displayed throughout her life. From her childhood home, Weil acquired an obsession with cleanliness; in her later life she would sometimes speak of her "disgustingness" and think that others would see her this way, even though in her youth she had been considered highly attractive. Weil was generally highly affectionate, but she almost always avoided any form of physical contact, even with female friends.

According to her friend and biographer, Simone Pétrement, Weil decided early in life that she would need to adopt masculine qualities and sacrifice opportunities for love affairs in order to fully pursue her vocation to improve social conditions for the disadvantaged. From her late teenage years, Weil would generally disguise her "fragile beauty" by adopting a masculine appearance, hardly ever using makeup and often wearing men's clothes.World War II, Resistance and Combat
Soon after Camus moved to Paris, the outbreak of World War II began to affect France. Camus volunteered to join the army but was not accepted because he had suffered from tuberculosis. As the Germans were marching towards Paris, Camus fled. He was laid off from Paris-Soir and ended up in Lyon, where he married pianist and mathematician Francine Faure on 3 December 1940. Camus and Faure moved back to Algeria (Oran) where he taught in primary schools. Because of his tuberculosis, he moved to the French Alps on medical advice. There he began writing his second cycle of works, this time dealing with revolt—a novel La Peste (The Plague) and a play Le Malentendu (The Misunderstanding). By 1943 he was known because of his earlier work. He returned to Paris where he met and became friends with Jean-Paul Sartre. He also became part of a circle of intellectuals including Simone de Beauvoir, André Breton, and others. Among them was the actress María Casares, who would later have an affair with Camus.

Camus took an active role in the underground resistance movement against the Germans during the French Occupation. Upon his arrival in Paris, he started working as a journalist and editor of the banned newspaper Combat. He continued writing for the paper after the liberation of France. Camus used a pseudonym for his Combat articles and used false ID cards to avoid being captured. During that period he composed four Lettres à un Ami Allemand (Letters to a German Friend), explaining why resistance was necessary. Greek
In Ancient Greek, alpha was pronounced [a] and could be either phonemically long ([aː]) or short ([a]). Where there is ambiguity, long and short alpha are sometimes written with a macron and breve today: Ᾱᾱ, Ᾰᾰ.

ὥρα = ὥρᾱ hōrā Greek pronunciation: [hɔ́ːraː] "a time"
γλῶσσα = γλῶσσᾰ glôssa Greek pronunciation: [ɡlɔ̂ːssa] "tongue"
In Modern Greek, vowel length has been lost, and all instances of alpha simply represent IPA: [a].

In the polytonic orthography of Greek, alpha, like other vowel letters, can occur with several diacritic marks: any of three accent symbols (ά, ὰ, ᾶ), and either of two breathing marks (ἁ, ἀ), as well as combinations of these. It can also combine with the iota subscript (ᾳ).

Greek grammarGreek grammar
In the Attic–Ionic dialect of Ancient Greek, long alpha [aː] fronted to [ɛː] (eta). In Ionic, the shift took place in all positions. In Attic, the shift did not take place after epsilon, iota, and rho (ε, ι, ρ; e, i, r). In Doric and Aeolic, long alpha is preserved in all positions.

Doric, Aeolic, Attic χώρᾱ chṓrā – Ionic χώρη chṓrē, "country"
Doric, Aeolic φᾱ́μᾱ phā́mā – Attic, Ionic φήμη phḗmē, "report"
Privative a is the Ancient Greek prefix ἀ- or ἀν- a-, an-, added to words to negate them. It originates from the Proto-Indo-European *n̥- (syllabic nasal) and is cognate with English un-.

Copulative a is the Greek prefix ἁ- or ἀ- ha-, a-. It comes from Proto-Indo-European *sm̥.

Mathematics and scienceTaiji or Tai chi (simplified Chinese: 太极 PolarExtreme; traditional Chinese: 太極; pinyin: tàijí; lit. 'great pole') is the Chinese idea for the Supreme Ultimate state of undifferentiated absolute and infinite potential 無極
From which form this Yin and that Yang
Wuji 無極 without pole
Wu ji  Material energy charged and u charged carbon
Which this universe is created of
As the Tau  creates  and destroys itself and everything in it
As qi the Flux between any three
Poles forming torroidal form formerly referred to as electricity
EOrganicity forming from positive chasing negative 
Three hooks hacking the Matrix of wu into forms a new  
the organization of qi is everywhere from  sunflowers to starwheels observable 
Form ed from Yin and Yang wuujiyinyang  has formed many things...Encluded among these forms are hominid specie etc see...

Every natural mutual 
Dark/Light
Contract Expand 
Small Large
Few Many
Soft Hard
Cool Heat
Down Up
Out In
Science Art

physical  electrochemical pulsation recordable 
With no interference caused just look around
As yin and yang bang nothing into something

lies at the origins of many branches of classical Chinese science and philosophy, as well as being a primary guideline of traditional Chinese medicine, and a central principle of different forms of Chinese martial arts and exercise, such as baguazhang, taijiquan (t'ai chi), and qigong (Chi Kung), as well as appearing in the pages of the I Ching...
Non-polar (wuji) and yet Supreme Polarity (taiji)! The Supreme Polarity in activity generates yang; yet at the limit of activity it is still. In stillness it generates yin; yet at the limit of stillness it is also active. Activity and stillness alternate; each is the basis of the other. In distinguishing yin and yang, the Two Modes are thereby established. The alternation and combination of yang and yin generate water, fire, wood, metal, and earth. With these five [phases of] qi harmoniously arranged, the Four Seasons proceed through them. The Five Phases are simply yin and yang; yin and yang are simply the Supreme Polarity; the Supreme Polarity is fundamentally Non-polar. [Yet] in the generation of the Five Phases, each one has its nature.
Nephthys
Isis
Ancient Egyptian goddess

For the catworm genus, see Nephtys.
Nephthys or Nebet-Het in ancient Egyptian (Greek: Νέφθυς) was a goddess in ancient Egyptian religion. A member of the Great Ennead of Heliopolis in Egyptian mythology, she was a daughter of Nut and Geb. Nephthys was typically paired with her sister Isis in funerary rites because of their role as protectors of the mummy and the god Osiris and as the sister-wife of Set.

Wu sa Isis
Ancient Egyptian goddess

This article is about the ancient Egyptian goddess. For the modern violent extremist group commonly abbreviated as ISIS, see Islamic State. For other uses, see Isis (disambiguation).
Isis (Ancient Egyptian: ꜣst; Coptic: Ⲏⲥⲉ Ēse; Classical Greek: Ἶσις; Meroitic: 𐦥𐦣𐦯‎ Wos[a] or Wusa) was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingdom (c. 2686 – c. 2181 BCE) as one of the main characters of the Osiris myth, in which she resurrects her slain brother and husband, the divine king Osiris, and produces and protects his heir, Horus. She was believed to help the dead enter the afterlife as she had helped Osiris, and she was considered the divine mother of the pharaoh, who was likened to Horus. Her maternal aid was invoked in healing spells to benefit ordinary people. Originally, she played a limited role in royal rituals and temple rites, although she was more prominent in funerary practices and magical texts. She was usually portrayed in art as a human woman wearing a throne-like hieroglyph on her head. During the New Kingdom (c. 1550 – c. 1070 BCE), as she took on traits that originally belonged to Hathor, the preeminent goddess of earlier times, Isis was portrayed wearing Hathor's headdress: a sun disk between the horns of a cow.