During the 1920s with his wife Isha, Schwaller de Lubicz established in Switzerland the Station Scientifique Suhalia, a research centre consisting of "laboratories for physics, chemistry, micro-photography and the manufacture of homeopathic tinctures was set up, along with an astronomical observatory, a machine shop, workshops for woodworking, blacksmithing, printing, weaving, rugmaking and glassmaking and a theater."[14] While there, Schwaller de Lubicz brought to a total whole his philosophical vision and in 1926 published his book L'Appel du Feu, where his "inspiration and higher intelligence is personified as 'Aor' (Hebrew for 'intellectual light')." Suhalia became the location where he began to "elaborate his philosophy of the evolution of consciousness."[15]
In Suhalia, between 1926 and 1927 Schwaller created an Egyptian Tarot Game consisting of 25 cards (originally in black and white), partly copied and partly inspired by Egyptian gods paintings. The Italian painter and musician Elmiro Celli and Lucie Lamy, daughter of Isha, are supposed to have contributed to the realization of this "game of life"; but the active participation of Isha in planning is not to be excluded, being a passionate Egyptologist and scholar of comparative religions (Judaism, Christianity, Islam, Hinduism, Buddhism and Taoism).[16]
Schwaller de Lubicz lived in Egypt for twelve years,[17] studying the buildings of Thebes in detail. He, with the French Egypologist Alexandre Varille, developed a symbolist approach to ancient Egypt.[18] He argued that Egyptian buildings were used scientifically for scientific initiations, and that their design incorporated symbols expressing and expressed as a system at IC language that combined philosophy, art, and science, Arithmetic Geometry Architecture/Astrotexture Expressed in the impressed language written on the building sized books they wrote
To Preserve in Detail the Generation
and Destruction underlying this
universe of verses
He demonstrated how the Egyptians were
acutely aware for centuries
of astronomical
movements correlating to observed and recorded
effects on earth and in the solar system as they
did for centuries
record in detailed detail
through the architecture of the
books hiding in plane sight as buildings
and the explanations written on
the libraries turned inside out for clarity.
Examples: axial precession, which was reflected in their written records through the architectural elements which make the movements meaningful to those who know how the buildings were built
because they were taught how to read
backwards and forwards
up and down
the way the
universe
works
in Egyptian practice of explaining over and over
the re re combining the dual into the one,
who was depicted as a ram.
He also demonstrated how the human form is the basis for
The universe,
life at the molecular/atomic level
and
The inverse by providing the detailed drawings and connecting the
dots
he equated parts of the temples
with parts of the human body.
Such as the Temples which locate image processing
areas of the brain used to turn
electric charges into mental images
His three-volume work The Temple in Man details
to the shape of a human skeleton.[2][20]
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