Word salad




The author seems to attempt to paint a picture that 
the author is having a hard time seeing
the author seems to see the thing
in the things as a thing
with a different name
and still a thing that all things must be 
named
which are either moving too fast to be seen
or moving to slow to be scene and wind yup
being named scenery when there is no scene like
the scene that is 
ΨΦ
Δεσψριβινγ ιν Γ Θε ΨΦ. ιν Φ
The interval between one and two that winds
three into the form formed around the idea of 
compound addition of multiple powers
re resulting in the matrix of trix
that keeps on giving the 
answers as the
questions are 
asked
A drop in the bucket
begins all that is as th
and versions of th 
that have been 
put into hats
to be pulled
out ag
au
a
n
Δ
ΑΣ
Θ
Θε ΣΘΜ οΦ
ΑΛΛ
VVAVE SEGMENTS
SEGMENTED FROM
THE ORIGINAL POND
of
Ideas expressed as ID of EA
Essence of Earth
The ear of the verse
Played by the pump
polar eyezed at the
points of intersection
where wave waves wave
into wavy Gravy
Every interval marked by 
the notion of a note
that could. not possibly exist 
in the absence of the way
VE
moves mu over
to let the near ear hear
through that at most sphere
where the here is neither
here nor there while
it is everything
becoming 
every
th 
in
G
Every Where
With a W to kick the
Can into motion


The 
Premise pro~misses two too many
Th in G z
The Aether is θe vibration
causing θe rotation
noticeable as th at Amplitude
Crossing the E horizon of its own
G iN e ra t ed
Generated
Generator
The broken waves reflecting themselves
against themselves less one
indentation
In
Di
Ca
T
IN
G
TWO
OUUT
IN
END
BE G i N

The nodes are noticed
~As~
Notes noted as nodules
at Notable Modul~(())
Where the in in integer
has an outward effect
Magnet it in G the X Y axis into
the YX plane~z
Where that Zxin
has had
an electric effect on the 
string too tense to rotate
until the spring 
waves in
an orthogonal motion
arranged along 
the sin ~ E
the sin ~ F
the sin ~ G
The sin of A
The sin of B
The sin of C
The sin of D
The sins o φ All the flats
that hold the sharp edges in place
roundly at the whole
integer
sized
spots
 aka:Ba
The nature of nature
the net contained in G a bucket of water
The net contain in G the sky
The nature of Both
aka the B field

Pr (𓉐 Gardiner sign listed no. O1) is the hieroglyph for 'house', the floor-plan of a walled building with an open doorway.

While its original pronunciation is not known with certainty, modern Egyptology assigns it the value of per, but purely on the basis of a convention specific to the discipline. However, the Ancient Greek rendering of the title pr-`3 as Ancient Greekφαραώ pharaō suggests the reconstruction of the historical (Late Egyptian) pronunciation as *par, see Pharaoh#Etymology.

pranxpr
House of Life
"library"
in hieroglyphs

Pr combined with an associated "personal name", god, or location becomes the "house of .... ." An example for pharaoh Setnakhte is the city of: Pr-Atum, (city of Pithom). Pr and ankh-(life) is a "combination hieroglyph" and is the "word" for house of life. The "house of life" is a library for papyrus books-(scrolls), as well as a possible scriptorium.

The shape of pr in beginning dynasties had variations in the shape of a square, with the opening. See Garrett Reference for tomb of Official Ti.

Pr is one of hieroglyphs adopted into the Proto-Sinaitic script, the earliest known alphabetic writing system. It was used to represent the phoneme /b/ as in bayt, the Canaanite word for "house", after the hieroglyph's original meaning.[1] The Latin letter B is a distant descendant of this letter.

"Pr-name" /associations

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See also

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notes where the wave length meet the
amplitude coming and going create an 
((o))void φorm
formed from the former up down left right 
lines
now defined 
at the or th oG on al to 
a new form bent into shape
Resonating as the G spot where the 
Generator~Σ of action in motion
Σθμ Them Selves up to one
again to re distribute the
to the rest of the out
there where the
is all there is
Circled in at the outset then broken at the seams into seems

The tree of form 
formed from three former
points of pointed perturbation
circulate into the see the sea of wave
often miss taken for a sea of waved lets
letting the night in where there are other ways
light at the center of delight at the center of lipHε
the nodes noted are the valleys often known
as valences and grooves where the orbit s
teps its self down to the next level up
as the beat goes on and on and (o)
((ν))

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