CHAPTER IV.
THE KEY APPLIED
It is now proposed
to offer the reader
some further proof
of the presence
of
a coherent scheme of
GeΩmatria
a geometrical nature in the New Testament
which will serve to show
the great
importance
of
the doctrinal meaning
to be associated with number
or capable of being so
associated
and
the peculiar value and precision
of
the method of numbers used
for this purpose.
Reference will be made also
to
the Gnostic books
but the main argument
and
illustrations will be
drawn
from the canonical Scriptures
The number EIGHT
which has been called the Dominical number
is found everywhere
symbolically employed
to convey the ideas
of
Salvation
Perfecting
and Regeneration
from the
Company of Noah,
onwards
through the Bible,
and is nowhere
more emphasised
than in the name
LorD
which teaches the doctrine
of
the perfected Humanity
in the number
888 = ΙΗΣΟΥΣ
This,
there can be little doubt,
is the "mystery" to which Irenaeus
alludes when he describes
the numbering
of the name of Jesus
ΜΥΣΤΗΡΙΟΝ = 1178
divided by 12
1178 = the volume of the
tetrahedron with
side Length one
To this moral or "spiritual" perfection
the figure of the cube
is allied on the
geometric side
– and
"our Lord" is "said"
to give sanction
to this teaching
when He gives to Peter
the name ΚΗΦΑΣ
The "name" is a mnemonic
ΚΗΦΑΣ = 9 Χ 9 Χ 9
The perfect cube of 729
This is a mnemonic
Not the other way around
The number was not randomly
assigned to the "word"
the mnemonic was
formed to describe the concept
of the number
the rock is the perfect corner
Defining the Octave of octaves
of music/sound/color
729 is the corner of the Octave of octaves
this is the first F note
the value is also formed from
3 X 243
243 is the first B note
The value is also formed from
27 X 27
27 is the root of the A note octave
27 54 108 216 432 864 1728 3456
This suggestion of perfectness
in the number Eight
is reflected in the
constitution
of the Greek alphabet
with its three Ogdoads
of units, tens, and hundreds
– the final Ω which
with
the Α
takes its place in
Christian arithmology
being 800 – in GeΩmatria
ΚΥΡΙΟΣ = Lord = 800
the
leading epithet of "Christ"
and in the Old Testament of "God"
The 800 of ΚΥΡΙΟΣ is found
in
antithesis to the 600
of ΚΟΣΜΟΣ – the World
just as the 888 of ΙΗΣΟΥΣ
is
in a yet more marked
degree
contrasted with
the 666 of the Beast of the Apocalypse
whose number emphasises
the
qualities of incompleteness
and materiality
With the idea of
a spiritual revelation
is associated Light
and the "Divine" significance of Light
is
clearly apparent
in the number symbolism
of
the "Scriptures"
as well as in the Gnostic books
The number of Light – ΦΩΣ – is 1500
It is the Robe of the Lord – ΕΝ∆ΥΜΑ ΚΥΡΙΟΥ
ΕΝ∆ΥΜΑ – 500
– is one of the many mystical words
or
words appertaining to the mysteryreligions
used by St. Paul
In the Pistis Sophia
Jesus has three of these robes of Light
and the number of the word
ΕΝ∆ΥΜΑΤΑ = 801
is again that of the Α and Ω
and of the ΠΕΡΙΣΤΕΡΑ
And the three
ΕΝ∆ΥΜΑΤΑ are
3 × 500 = 1500
which is the number of Light ΦΩΣ
801 = 3 X 267 = the number of the Kingdom – Η ΒΑΣΙΛΕΙΑ
Ten times the number 267 is 2670
= ΚΥΡΙΟΣ ΦΩΤΟΣ Lord of Light
or
as applied to "Christ"
ΤΟ ΦΩΣ ΚΟΣΜΟΥ – The Light of the World
which is also
Η ∆ΥΝΑΜΙΣ ΜΕΓΑΛΗ ΦΩΤΟΣ = 2670 = The Great Power of Light
which descends "upon the Lord"
in the Pistis Sophia
This is also
the number
of
"the Church of Jesus Christ" = Η ΕΚΚΛΗΣΙΑ ΙΗΣΟΥ ΧΡΙΣΤΟΥ
Incidentally we may
here point out
that the number
of
the Great Power = Η ∆ΥΝΑΜΙΣ ΜΕΓΑΛΗ
the title so blasphemously claimed
by Simon Magus,* is 800 =
ΚΥΡΙΟΣ
=============\/=============
Light, though really threefold, has traditionally also a sevenfold nature. The
emanations of the Divine Essence are figured in the Apocalypse as Seven
Lamps, which are the Seven Spirits of God, and the seven stars which are the
Angels of the Seven Churches. In the scheme of geometric representation, the
first emanation from, or manifestation of, the Absolute, in the series we are now
considering, is figured as a Cube developed from an original point, which is one
of its angles, and this is portrayed in its visible aspect of symmetry as a
Hexagon with six internal lines radiating from the centre.
Theoretically there is a seventh radius but never more than six are visible because the seventh
approaches the eye and unites the central visible point with the eighth point lying exactly behind it.
The Six outward points, with their connecting lines, represent the Kosmos, or manifestation of the
Divine Source, the revelation of God to man.
But the eighth or invisible original is required to complete the figure of the cube, which is only
apprehended by the higher reason.
The Six again may be held to represent the periods of Creation and the seventh point, the Sabbath
rest of God.
But the perfect, or New, Creation, is symbolised by the Cube, for a true
knowledge of which a sense beyond that of mere physical vision is
required. By this the presence of the seventh ray is revealed and the
Eight points are manifest in their true relation. Thus from One are seen
to proceed Seven and the Seven are connected with the parent One by
rays or lines of Three several lengths (or which are now seen to be of
three several lengths), whereas in the flat representation only six were
seen, and they were apparently of equal length.* Now we are in the
presence of three geometrical entities which by their joint operation
determine the form of the Cube, and these are first, the length of it side
which is figured as 100 – the basic number in the Denary system (far
older than the decimal notation), on which the whole of the Gematria
may be said to be built. In the Appendix the Cube of Light and its special Gematria will be found
fully described.? There are, as will readily be seen, three rays of this first order emanating from any
one point in the cube, and connecting that point with the three lying nearest to it in the cube.
Secondly there are to be seen three more connecting lines which are the diagonals on the square
sides of the cube, linking the first point with the three next in order of remoteness, and these lines, on the
scale now determined, measure each 100 × √2, or 141.42 – their total, 424.26, being integrally
expressed as 424 or 425 by substituting unity for the fraction. Finally, there is the One ray leading
diametrically across the cube to the opposite point, and the measure of this is 100 × √3, or 173.205.
Call this 173. Thus we have for the total of the Seven rays the sum 300 + 424.5 + 173, which is 897
or 898 and may with equal propriety be taken as either, as the actual figure is halfway between.
Hence we find in Gematria that whereas 897 gives ΑΙ Ζ ΕΝ ΤΗ ΑΣΙΑ ΕΚΚΛΗΣΙΑ, 898 is the
number by gematria of ΟΙ Ζ ΑΣΤΕΡΕΣ, the seven stars or rays which are the angels of the seven
Churches.
In the three incommensurable orders of magnitude derived from the measures of the cube we have
clearly a very suggestive parallel to the description in the Pistis Sophia of the three kinds of Light in
the Lord’s ΕΝ∆ΥΜΑ, which we are told vary in the quality of their beams (variae lucis) and in the
incommensurable nature of their proportions (vario ΤΥΠΩ aliis aliis praestantibus infinito modo).
What are the authors of this old book trying to tell us? Let us assume that they really mean
something – that they have a rational idea which they are trying to express. With this assumption let
us endeavour to see what sort of parallel modern science can offer to the interpretation we have
placed upon the ‘seven rays’ and the three cardinal measures of the Cube.
Those who have studied the physics of Light will know that the reputed Seven colours of the
spectrum are really Three, and three only, the Red, the Green and the Violet-blue. And these occupy a certain part of the field, indefinite as to its boundaries, but having
an acme of intensity at or near the centre of each section. Near the centre of the spectrum, at a point
where the purest green is observed, is the position of one of the fixed lines of colour known as
Frauenhofer's E line. There are other such lines, lettered A to H, distributed over the field, and these
are measured according to their wavelength, in inverse order to their frequency, and the lengths are
given in what are called tenth-metres (see Ganot's Physics).
The whole series of light-rays comprises those whose wave-length varies from a little more than
7600 tenth-metres in the extreme Red to a little less than 3900 in the extreme Violet - altogether about an octave of light. Now if we take our Green ray at about line E or 5270 in measure, then our
series must be as follows:-
Red 7453 . . . . or 5270 × √2
Green 5270
Violet 4302 . . . . or 7453 ÷ √3
and this is remarkable, because 7453 brings us to the intense Red close to Frauenhofer's A line
(7604) and between it and B, whilst 4302 for the Violet brings us to the point of the most intense
deep Blue, and practically on to Frauenhofer's line G, which is 4307.
We must be content to leave our instructed readers to judge as to the real nature of so striking an
approximation. If, on further investigation, the parallel appears based on undeniable physical fact,
then a few more such instances may go far to rehabilitate the lost wisdom of Antiquity. And if it be
true that the data of the colour-scale - which are derived from molecular motions - are indeed
founded upon harmonics whose source is not, as in the case of Sound and other physical measure, based upon the interaction of forces having wholenumber proportionals, but upon those mysterious entities, the Roots of Two and Three, then we are
face to face with a condition pointing to a genesis of motion in a region of space unknown to us,
and wherein the dynamic laws operate in a relation quite unfamiliar. It looks as if a fourth, and
interior dimension must be assumed, and is this not precisely what some physicists say of the
Atom, that it must possess some substance in a fourth direction?















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