The only Arithmetic Lesson you ever needed to know
These are results for how many times does Homer mention Zeus in the Iliad
Exact count: Concordances of the original Greek text record the name Zeus (nominative Ζεύς and oblique cases like Διός, Διί, Δία) well over 700 times across the 15,693 lines of the poem.
The More One looks at the
older than Homer
Ζευσ
Ερμνσ
Απολλων
Mnemonic to arithmetic
to geometric to music
612
353
1061
Relationship it becomes obvious
that once upon a time this was
the arithmetic lesson you were
taught as a child and that was
all the arithmetic
you were taught
as it self contains everything else
you need to know about arithmetic:
adding and multiplying numbers
about geometry: understanding
side relationships in the two
basic geometric forms
triangles/squares
and their many
geometric
compounds
and so about all
form formed by the possible real
relationships of curves to lines
to contained side lengths
all defined by the roots of two
three four five and six
everything beyond this is a
multiple/compound
as in fact everything beyond
1.414 is a compound of the
last version plus some
form of unity
all numbers can be formed from the
roots of two and three
500 for instance is a number and
707 / 1.414 = 500
JUST as much as
5 X 100 = 500
and 2000 / 4 = 500
and 100 X 5 = 500
and 4 x 125 = 500
where one can take each of
the components of the ideas
expressed out of "character"
without direct reference to the
square root of two or three
or some other root where
four is obviously a product of the
square root of two squared and two
as then are suddenly every last
even number
as they are all products
of the square root of two
While every odd number is
a compound of another root
2 x X + 1
and every prime number is both
the above +1 or -1
612
353
1061
THen are related
in at least three different ways
to the square root of two and three
and to the idea in music of 3/2
of the perfect fifth and
4/3 the perfect fourth
they are compounds
of each other
353 Ερμεσ
The smallest
being the natural root
is a prime number
where
1414 / 2 = 707 / 2 = 353.5
The 1 : 2 : 3 : 4 Octave ratio
where
353.5 X 3 = 1060.5
353.5 x 4 = 1414
The 3/4 perfect fourth ratio
where
353 + 1061 = 1414 Unity + Αρετη
where
1.732 X 707 = 612 . 262
where it becomes obvious that these 'words'
or names which were obviously widely known
before the time of Homer were also known
and thought of as the numbers they represent
Ο Θεοσ Ερμησ
a mnemonic for none other than
707
half the square root of two
While 353.5
is half of that
This is. not some nonsense
made up by some science fiction writer
these are the very basic natural number
relationships that were not explained very well
and are not understood very well anywhere
in society these days
Below is an example of some of the
pablum that you get from the pocket librarian
on topics such as this where no connection is
made between 1414 which is pointed out as the
double of 707 and the square root of two
or of any of the geometry that the Egyptians
who taught the Greeks everything the ever wrote
about Geometry knew and practiced for thousands
of years
begin with the basic Zeus
the diagram that
joins
the line
the curve
the right angle
the diagonal
Fill in the details
showing how Zeus
Holds up the 'sky'
Creating the Arrow
that Apollo is so Famous for
The form of the container is already
ambiguous. It looks like a cube to me
and it is a Hexagon in the way the program
which drew the pictures has it labeled.
So here we see that not only are Zeus
Apollo and Hermes lines of some triangles
related to the square root of two and three
they are also the basis for the form that is
the Hexagon which in this instance has
the side length
1414 / 2
half
the square root of two
707
And by the universal law of side length to
side length relationships in right triangles
we known that the Length of Zeus is
a function of the square and square root
of the square root of two divided by two
and the square of Hermes which is already
discovered to be half of 707 with half added
for good measure
Now Scale the big names down to unit size
using the unit sized words and you have the
root logos version of the Zeus story using
quarters halves and the illusive root of Zeus
which is always going to be a function of
the root of three
see that at every size
this relationship remains the same
Triangles and squares and Arcs
Two cubes in the three dimension view
become
two overlapping hexagons in the one
dimensional view
only the names change to protect the sophists
414
Is the value of
the virtuous part
of the square root of two
you know that there is something
more than idle babble about imaginary
anthropomorphized anything
These mnenmonics were created to make
the real relationships memorable
without the need for three other systems
to remember what value went with what and why
riding on a ship of fools or
class was dismissed before
the shiny pennies could
think about how this
could be turned on
its head and sold
for nonsense
relationships that are found
in the natural law of geometry and
the root of this the natural law of arithmetic
Every number beyond 1.414 and 1.732 is a compound
the prime numbers as above being some form of this
formula with unity added or subtracted.
As it turns out
these natural numbers found in geometry are also very
closely related to the natural numbers of music
centered at the diameter / radius of
the sun 864 / 432
Where the twelfth root of two
or 256 / 243
or 2^8 / 3^5
both provide the musical spacing
that water provides without being asked
216 the octave below 432
27 the root of the Octave of A
This makes sense once one understands what
the 'music' system is and what that system is
composed of
Compounds of the powers of two and three which
are the squares of the roots of two and three
all music then is compounds of squares and
triangular forms where root three is the
root of the equilateral triangle and the
compounds of this form and root two
is the root of the 45 45 90
eighth eighth fourth
relative to 360
relationship triangle
and all the geometric
forms are compounded
from these roots
The cube/Hexagon
are only perspective
shifts in the three dimensional
world that always compresses itself
into a flat plane at some degree of illumination
where there is no shadow and no perspective
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